Innovation a. : Second-Renaissance and -Enlightenment Art Exhibition: i = E = MC2  

Innovation b. Global Direct Democracy  

Innovation c. : Development and implementation of creativity health and life-prolonging health processes through information 

Innovation d. : Synthesis of the three innovations; Second Renaissance and Enlightenment + Global Direct Democracy + Health and Cell Rejuvenation through Information lead to the Gesamtkunstwerk: Ethical World = Globalpeace Campus  

Innovation d. : Construction of 'Globalpeace' as a peace campus for all religions. 

Innovation: Empirical scientific brain research shows for health and belief rituals: Based on false research results, from which political leaders, media, PR agencies as well as religions draw and shape their arguments and information, facts are mixed up and exchanged with opinions and beliefs with scientific findings and disseminated through the media. The results are changes in neuronal networks caused by mirror neurons in the brain as well as epigenetic influences on subsequent generations with the aim of cognitively adapting the population to a changing environment in favour of the interests behind these changes without remedying the causes.  

Liedtke researched for over 50 years how creativity or intelligence develops. 

The effect of the healing rituals can be optimised optimally through first experiences with creativity and affection previously unknown to the sick person (see research results on neurobiology, epigenetics, mirror neurons, nocebo and placebo and the ancient rituals up to the emergence of religions and today's voodoo) or for group guidance through numerous repetitions by information mediators (see religions and media). 

Innovation Technique: Digital print as a size-unique/original artwork with Dieter Liedtke's DNA in the red colour.  

Innovation of the series: disclosure of health, motivational and group or political social rituals. 

From Wikipedia 

Plagiarism, imitation and works strongly influenced by other artists have existed and continue to exist in every phase of art history. If the producer conceals his originals, this is just as punishable as an art forgery as an infringement of copyright. In order to make such an infringement legally tangible, the legislator introduces criteria that play no role in the art business itself. For example, from the perspective of copyright law, an artist can only call a work his or her own when it has reached a sufficient level of creation. This presupposes a personal, individual and intellectual (human) creation that has a form perceptible through the human senses (see the concept of work in copyright law with regard to the level of creation). 

Several explanations can be offered for the biological anchoring of the need for art. The most likely is art as a selection criterion for mate choice. Human evolution is characterised by an increase in brain volume and thus in cognitive abilities. The ability to produce art is an externally recognisable indication of creativity, which can also lead to creative solutions in other problem areas. People who had time for art had no problems satisfying their daily needs for food and security, because those who had reserves for primarily meaningless activities such as art in addition to everyday life, thus represented their ability to survive. Humans as social beings have developed many mechanisms to strengthen their social communities. 

Series name: Art and Healing II 

Years of the series: 1963 -  

Year of work: 2020 

Signature: Liedtke 

Material: Ink, canvas on stretcher frame 

Dimensions: 140 cm x 180 cm  

Price: 10 Million Euros. €

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